1 00:00:01,293 --> 00:00:02,586 Man: CARROLL WAS CONVICTED IN 2004 2 00:00:02,586 --> 00:00:04,421 FOR THE MURDERS OF 14 YOUNG WOMEN. 3 00:00:04,421 --> 00:00:06,715 Parker: THE WARDEN GRANTED JOE CARROLL'S REQUEST FOR A TRANSFER. 4 00:00:06,715 --> 00:00:08,175 HE'S LEAVING. 5 00:00:08,175 --> 00:00:09,468 Ryan: JOE'S NOT IN THE TRANSPORT VEHICLE. 6 00:00:09,468 --> 00:00:11,846 WHERE THE HELL IS HE? 7 00:00:11,846 --> 00:00:13,973 Claire: SO JOE'S FREE, AND NOW I GET LOCKED UP. 8 00:00:13,973 --> 00:00:16,684 PROTECTIVE CUSTODY. BETTER IF I DON'T KNOW. 9 00:00:16,684 --> 00:00:18,894 HEY. MORNING. I KNOW YOU'RE SCARED OF ME, 10 00:00:18,894 --> 00:00:20,312 BUT I HOPE THAT WILL CHANGE. 11 00:00:20,312 --> 00:00:22,940 MY SON NEEDS A MOTHER. 12 00:00:22,940 --> 00:00:24,608 AND I HAVE AN IDEA HOW WE CAN FIND HER. 13 00:00:24,608 --> 00:00:25,985 SHE HAS TO DIE 14 00:00:25,985 --> 00:00:28,278 BECAUSE YOU SLEPT WITH JOE'S WIFE. 15 00:00:28,278 --> 00:00:29,905 WHY DID YOU DO IT? 16 00:00:29,905 --> 00:00:31,323 BECAUSE I LOVE HER. 17 00:00:31,323 --> 00:00:33,617 NICK DONOVAN MADE AN ENCRYPTED CELL PHONE CALL 18 00:00:33,617 --> 00:00:35,619 CHECKING THE STATUS OF CLAIRE MATTHEWS. 19 00:00:35,619 --> 00:00:38,288 YOUR WIFE IS IN HUNTINGTON COUNTY. 20 00:00:38,288 --> 00:00:39,623 WHAT'S TAKING HER SO LONG? 21 00:00:39,623 --> 00:00:40,791 I LOOKED ALL OVER THE PLACE! 22 00:00:40,791 --> 00:00:42,417 SHE AND JOEY ARE BOTH GONE! 23 00:00:42,417 --> 00:00:43,544 AAH! 24 00:00:43,544 --> 00:00:45,420 EMMA, WHY DID YOU LEAVE US? 25 00:00:45,420 --> 00:00:47,046 Jacob's mother: IF YOU DON'T GET HIM TO A HOSPITAL IMMEDIATELY, 26 00:00:47,046 --> 00:00:48,089 HE'S GOING TO DIE. 27 00:00:48,089 --> 00:00:49,299 YOU CAN DO THIS. 28 00:00:50,467 --> 00:00:51,844 I'M SORRY. 29 00:00:51,844 --> 00:00:53,220 EARLIER I RECEIVED A VERY EXCITING E-MAIL. 30 00:00:53,220 --> 00:00:54,930 I WANTED TO TELL YOU ABOUT IT, 31 00:00:54,930 --> 00:00:56,557 BUT I THOUGHT I'D SURPRISE YOU. 32 00:01:15,951 --> 00:01:17,912 MAN, YOU'RE A HEAVY SLEEPER. 33 00:01:21,122 --> 00:01:24,334 GET UP. YOU DON'T WANT TO SLEEP THE DAY AWAY. 34 00:01:28,255 --> 00:01:29,506 WHAT ARE YOU DOING HERE? 35 00:01:29,506 --> 00:01:31,842 I'M TRYING TO GET YOU UP. 36 00:01:31,842 --> 00:01:33,635 NOW GO. COME ON. GET IN THE SHOWER. 37 00:01:35,345 --> 00:01:37,431 COME ON. YOU'RE GONNA MISS BREAKFAST. 38 00:02:07,544 --> 00:02:09,838 AAH! 39 00:02:20,015 --> 00:02:21,976 Woman: AND NOW AN UPDATE FROM RICHMOND, VIRGINIA. 40 00:02:21,976 --> 00:02:23,184 A PRESS CONFERENCE THIS MORNING 41 00:02:23,184 --> 00:02:24,853 HAS NOT EASED OUR NATION'S PARANOIA 42 00:02:24,853 --> 00:02:28,065 AS WE'VE LEARNED THAT FBI, CIA, AND NSA 43 00:02:28,065 --> 00:02:29,858 ARE NOW ALL IN PURSUIT OF JOE CARROLL 44 00:02:29,858 --> 00:02:31,318 AND HIS CULT OF SERIAL KILLERS. 45 00:02:31,318 --> 00:02:34,071 Parker: AMANDA PORTER'S NOT EXACTLY TALKING. 46 00:02:34,071 --> 00:02:35,948 NO. I TAKE THAT BACK. 47 00:02:35,948 --> 00:02:37,950 SHE'S ACTUALLY SAYING A LOT. 48 00:02:37,950 --> 00:02:39,326 AND WHAT DOES SHE SAY? 49 00:02:39,326 --> 00:02:40,619 WELL, LET'S SEE. 50 00:02:40,619 --> 00:02:41,870 UH, SHE'S A PISCES. 51 00:02:41,870 --> 00:02:43,330 FAVORITE MOVIE IS THE "NOTEBOOK," 52 00:02:43,330 --> 00:02:45,082 SHE'S AN ADVOCATE FOR THE DEATH PENALTY. 53 00:02:45,082 --> 00:02:47,375 SHE BELIEVES IN CREATIONISM OVER EVOLUTION, 54 00:02:47,375 --> 00:02:49,252 ENJOYS SEVENTIES SOFT ROCK, 55 00:02:49,252 --> 00:02:51,005 AND HATES PEANUT BUTTER, WHOLE MILK, 56 00:02:51,005 --> 00:02:52,297 AND ANNE HATHAWAY. 57 00:02:52,297 --> 00:02:53,548 THEY GOT TO LET ME TALK TO HER. 58 00:02:53,548 --> 00:02:55,467 I AGREE, BUT IT'S D.C.'s SHOW NOW. 59 00:02:55,467 --> 00:02:58,261 I MEAN, IT'S THEIR CALL. 60 00:02:58,261 --> 00:03:00,139 HEY. YOU GOT TO LET ME TALK TO AMANDA PORTER. 61 00:03:00,139 --> 00:03:01,849 IT'S NOT GOING TO HAPPEN, RYAN. 62 00:03:01,849 --> 00:03:03,433 COME ON. THIS WOMAN KNOWS ME. 63 00:03:03,433 --> 00:03:04,935 I BROKE HER ONCE ALREADY. 64 00:03:04,935 --> 00:03:06,353 HE'S RIGHT. HE SHOULD BE THERE. 65 00:03:06,353 --> 00:03:07,646 IF THE D.C. GUYS CAN'T BREAK HER, 66 00:03:07,646 --> 00:03:09,773 I'LL RECOMMEND IT, OK? 67 00:03:09,773 --> 00:03:11,150 WE GOT ANOTHER PROBLEM. 68 00:03:11,150 --> 00:03:13,735 QUANTICO FOUND A PORTAL BREAK IN THEIR SERVER. 69 00:03:13,735 --> 00:03:14,945 WE WERE HACKED? 70 00:03:14,945 --> 00:03:16,655 WHERE WAS THEIR FAILSAFE? IT STALLED. 71 00:03:16,655 --> 00:03:18,032 THE OPTICAL LINES WERE INTERRUPTED FOR SEVERAL SECONDS. 72 00:03:18,032 --> 00:03:19,282 WITH A WORM ENCRYPTED WITH A VIRUS 73 00:03:19,282 --> 00:03:20,450 JUST LIKE AT THE FARMHOUSE. 74 00:03:20,450 --> 00:03:21,869 WHAT DID THEY ACCESS? 75 00:03:21,869 --> 00:03:23,078 TELECOMMUNICATIONS LOG, SPECIFICALLY PHONE CALLS 76 00:03:23,078 --> 00:03:24,746 TO THE PROTECTIVE CUSTODY DIVISION. 77 00:03:24,746 --> 00:03:26,498 IT'S POSSIBLE JOE MADE AN ATTEMPT TO TRACE 78 00:03:26,498 --> 00:03:28,667 CLAIRE MATTHEWS' LOCATION VIA OUR SATELLITE SYSTEM. 79 00:03:28,667 --> 00:03:29,918 WE GOT TO MOVE HER RIGHT NOW. 80 00:03:29,918 --> 00:03:31,336 YES, WE DO, BUT WE NEED YOU 81 00:03:31,336 --> 00:03:33,047 TO CONVINCE HER OF THAT. 82 00:03:33,047 --> 00:03:34,548 WILL YOU CALL HER? 83 00:03:34,548 --> 00:03:37,592 USING WHAT PHONE EXACTLY? 84 00:03:37,592 --> 00:03:38,927 NO. I WANT TO DO IT IN PERSON. 85 00:03:38,927 --> 00:03:40,303 YOU GOT TO GET ME A CHOPPER, AND FROM NOW ON, 86 00:03:40,303 --> 00:03:41,596 I WANT TO BE IN CHARGE OF HER SAFETY DETAIL. 87 00:03:41,596 --> 00:03:42,764 LIKE HELL YOU WILL! 88 00:03:42,764 --> 00:03:43,891 NICK, LET HIM GO. 89 00:03:43,891 --> 00:03:44,933 HE'S NOT AN AGENT, DEBRA! 90 00:03:44,933 --> 00:03:48,937 IT'S NONNEGOTIABLE. 91 00:03:48,937 --> 00:03:50,313 THE CELL TOWER LINKED TO YOUR WIFE 92 00:03:50,313 --> 00:03:52,649 IS NEAR A ROADSIDE MOTEL ON HIGHWAY 31. 93 00:03:52,649 --> 00:03:55,194 TYPICALLY THERE'S 5-6 AGENTS PER SAFE HOUSE 94 00:03:55,194 --> 00:03:57,946 IN A DESIGNATED AREA AWAY FROM THE OTHER GUESTS. 95 00:03:57,946 --> 00:03:59,406 I'M THINKING AN M17 96 00:03:59,406 --> 00:04:03,284 OR MY MICRO-UZI WITH A SILENCER. 97 00:04:03,284 --> 00:04:04,953 YOU EX-MILITARY? 98 00:04:04,953 --> 00:04:07,288 HELL, NO. WE'RE BETTER THAN THAT. 99 00:04:07,288 --> 00:04:09,332 Roderick: THEY WERE BOTH RAISED BY MILITIA. 100 00:04:09,332 --> 00:04:12,127 CONSTITUTIONAL EXTREMISTS TO... 101 00:04:12,127 --> 00:04:15,589 TO BE ACCURATE. 102 00:04:15,589 --> 00:04:16,924 YOU SURE ABOUT THIS? 103 00:04:16,924 --> 00:04:18,466 YOU WANT YOUR WIFE BACK, 104 00:04:18,466 --> 00:04:20,010 THESE TWO CAN DO IT. 105 00:04:20,010 --> 00:04:21,344 THEY'VE GOT THE SKILLS 106 00:04:21,344 --> 00:04:22,804 AND THE KNOW-HOW. 107 00:04:25,974 --> 00:04:28,643 YOU GO WITH THEM, RODERICK. 108 00:04:28,643 --> 00:04:30,311 I CAN'T. 109 00:04:30,311 --> 00:04:31,396 I GOT TO WORK TODAY. 110 00:04:31,396 --> 00:04:33,107 DUTY CALLS. 111 00:04:33,107 --> 00:04:35,984 OH, I'M SURE YOU'LL WORK IT OUT. 112 00:04:35,984 --> 00:04:37,569 I'M SURE I CAN'T. 113 00:04:39,571 --> 00:04:41,698 I INSIST, RODERICK. 114 00:04:41,698 --> 00:04:43,784 YOU'VE FAILED TWICE. 115 00:04:43,784 --> 00:04:46,536 THIS TIME, I WANT MY WIFE. 116 00:05:00,926 --> 00:05:02,427 JACOB! 117 00:05:02,427 --> 00:05:03,762 HEY, SQUIRT! 118 00:05:05,555 --> 00:05:07,182 OHH! 119 00:05:07,182 --> 00:05:08,475 HOW YOU DOING? 120 00:05:08,475 --> 00:05:10,936 LOOK! JACOB'S HERE! 121 00:05:10,936 --> 00:05:12,062 HEY, JACOB. 122 00:05:12,062 --> 00:05:13,354 WHEN DID YOU GET HERE? 123 00:05:13,354 --> 00:05:14,481 W-W-WHERE'S PAUL? 124 00:05:14,481 --> 00:05:15,899 I GOT HERE LATE LAST NIGHT, 125 00:05:15,899 --> 00:05:18,986 AND PAUL, WELL-- 126 00:05:18,986 --> 00:05:20,988 PAUL COULDN'T MAKE IT. 127 00:05:20,988 --> 00:05:24,866 HEY. JOEY, WILL YOU GIVE JACOB AND ME A MINUTE? 128 00:05:24,866 --> 00:05:26,827 IT'S OK, DUDE. WE DON'T NEED A MINUTE. 129 00:05:26,827 --> 00:05:29,288 JACOB, LET ME EXPLAIN, LET ME TALK TO YOU. 130 00:05:32,666 --> 00:05:35,002 LOOK AT THIS PLACE. 131 00:05:35,002 --> 00:05:36,295 WILL YOU SHOW ME AROUND, BUDDY? WILL YOU DO THAT? 132 00:05:36,295 --> 00:05:37,420 SURE! 133 00:05:37,420 --> 00:05:39,047 COME ON. LET'S GO. 134 00:05:59,109 --> 00:06:01,320 WHEN IS RYAN HARDY GETTING HERE? 135 00:06:05,282 --> 00:06:09,203 OK. GOOD. HE'S PULLING UP NOW. 136 00:06:09,203 --> 00:06:11,246 ALL RIGHT. THANKS. 137 00:06:31,850 --> 00:06:34,353 RYAN HARDY? I'M MARSHAL FERGUSON. 138 00:06:34,353 --> 00:06:36,146 CLAIRE'S IN THE NEXT ROOM. 139 00:06:39,607 --> 00:06:40,650 HEY. 140 00:06:40,650 --> 00:06:41,818 HEY. 141 00:06:48,700 --> 00:06:51,995 NOBODY'S TELLING ME THE TRUTH. 142 00:06:51,995 --> 00:06:54,539 WHAT DO YOU WANT TO KNOW? I'LL TELL YOU ANYTHING. 143 00:06:54,539 --> 00:06:59,836 UH, FOR STARTERS, WHY WAS I DENIED MEDIA ACCESS? 144 00:06:59,836 --> 00:07:03,382 JOE'S PEOPLE WERE TARGETING WOMEN NAMED CLAIRE MATTHEWS 145 00:07:03,382 --> 00:07:04,549 IN THE RICHMOND AREA, 146 00:07:04,549 --> 00:07:07,635 AND TWO OF THEM WERE KILLED. 147 00:07:07,635 --> 00:07:10,264 OH, MY GOD. OH, MY GOD. 148 00:07:10,264 --> 00:07:13,558 I JUST--I DON'T UNDERSTAND WHY NO ONE CAN FIND HIM. 149 00:07:13,558 --> 00:07:16,561 I MEAN, HOW DOES A CULT OF KILLERS STAY HIDDEN THIS LONG? 150 00:07:16,561 --> 00:07:19,189 HIS FOLLOWERS HAVE PROVEN TO BE SOPHISTICATED. 151 00:07:19,189 --> 00:07:21,275 THEIR TACTICAL SKILLS, CYBERINVASION, 152 00:07:21,275 --> 00:07:22,734 THEY'RE ON A TERRORIST LEVEL, 153 00:07:22,734 --> 00:07:26,154 PLUS SOME OF THEM ARE TRAINED MILITARY. 154 00:07:26,154 --> 00:07:28,156 AND NOW HE'S WITH JOEY. 155 00:07:28,156 --> 00:07:31,868 THAT MADMAN HAS MY SON. 156 00:07:31,868 --> 00:07:34,579 WE NEED TO MOVE YOU SOMEPLACE SAFER. 157 00:07:43,297 --> 00:07:44,547 THOSE ARE COOL SHADES. 158 00:07:44,547 --> 00:07:45,757 WHERE'D YOU GET THOSE? 159 00:07:49,219 --> 00:07:50,637 Man: I'VE GOT TWO SUBJECTS 160 00:07:50,637 --> 00:07:52,347 GOING THROUGH THE LOBBY NOW. 161 00:07:52,347 --> 00:07:54,015 BE ADVISED IT LOOKS LIKE THEY'RE HEADED FOR THE STAIRWAY, 162 00:07:54,015 --> 00:07:55,725 POSSIBLY THE ELEVATOR AT THIS TIME. 163 00:08:11,699 --> 00:08:14,119 WHOLE WING IS LOCKED DOWN. 164 00:08:14,119 --> 00:08:15,536 THEY'RE SOMEWHERE IN THIS HALLWAY. 165 00:08:15,536 --> 00:08:16,871 I GOT THE MASTER KEY. 166 00:08:16,871 --> 00:08:18,290 SEE YOU ON THE OTHER SIDE. 167 00:08:25,505 --> 00:08:27,090 DO A WALK-THROUGH. 168 00:08:27,090 --> 00:08:28,883 LET ME KNOW WHEN IT'S CLEAR. 169 00:08:28,883 --> 00:08:30,844 YES, SIR. YOU GOT IT. 170 00:08:30,844 --> 00:08:31,928 WHERE'S CLAIRE? 171 00:08:31,928 --> 00:08:34,514 I'M RIGHT HERE. I'M READY. 172 00:08:34,514 --> 00:08:36,933 Ryan: HEY. IS THERE A PROBLEM OUT THERE? 173 00:08:36,933 --> 00:08:40,061 MY MEN IN THE LOBBY SAW A COUPLE GUYS THAT LOOKED SUSPICIOUS. 174 00:08:49,154 --> 00:08:50,738 LET'S DO THIS. 175 00:08:55,035 --> 00:08:56,744 NO SCREW-UPS. 176 00:09:20,727 --> 00:09:22,103 CLEAR. 177 00:09:28,318 --> 00:09:30,237 YOU AND CLAIRE GO OUT THE BACK. I GOT YOU COVERED. 178 00:09:30,237 --> 00:09:31,405 OK. STAY WITH ME. 179 00:09:34,741 --> 00:09:36,784 OK. COME ON. 180 00:09:36,784 --> 00:09:38,078 CLEAR. 181 00:09:56,471 --> 00:09:57,556 COME ON. 182 00:10:07,857 --> 00:10:08,983 GET IN. 183 00:10:10,235 --> 00:10:11,945 AAH! COME HERE! 184 00:10:11,945 --> 00:10:13,572 OHH! 185 00:10:13,572 --> 00:10:14,697 AAH! AAH! 186 00:10:14,697 --> 00:10:15,990 BACK OFF. DROP THE GUN. 187 00:10:15,990 --> 00:10:17,492 OR WHAT? 188 00:10:17,492 --> 00:10:19,494 YOU'RE NOT GONNA SHOOT HER. 189 00:10:24,874 --> 00:10:26,000 OK. COME ON. 190 00:10:26,000 --> 00:10:27,168 COME ON! WE GOT TO GO! 191 00:10:27,168 --> 00:10:28,295 COME ON! 192 00:10:30,838 --> 00:10:33,300 DAMN. THAT HURT. 193 00:10:54,654 --> 00:10:56,072 DO YOU HAVE A CELL PHONE? 194 00:10:56,072 --> 00:10:57,157 NO. 195 00:10:57,157 --> 00:10:58,575 TAKE OUT THE SIM CARD. 196 00:11:02,287 --> 00:11:03,830 WHERE ARE WE GOING? 197 00:11:10,086 --> 00:11:11,379 SOMEPLACE SAFE. 198 00:11:18,761 --> 00:11:19,971 Donovan: I DON'T UNDERSTAND. 199 00:11:19,971 --> 00:11:21,264 WHERE IS HE? 200 00:11:21,264 --> 00:11:22,557 I DON'T KNOW. HE DESTROYED HIS SIM CARD, 201 00:11:22,557 --> 00:11:24,892 DEACTIVATED THE GPS ON HIS CAR. 202 00:11:24,892 --> 00:11:26,478 HE'S BEING SMART. 203 00:11:26,478 --> 00:11:27,812 HE'S WORRIED ABOUT BEING TRACED, 204 00:11:27,812 --> 00:11:29,814 SO HE MUST HAVE CLAIRE. 205 00:11:29,814 --> 00:11:30,898 WHERE WOULD THEY GO? 206 00:11:30,898 --> 00:11:32,859 BROOKLYN IS A 4-HOUR DRIVE. 207 00:11:32,859 --> 00:11:35,153 HAVE AN UNDERCOVER PATROL HIS PLACE IN BROOKLYN. 208 00:11:35,153 --> 00:11:36,530 YOU THINK HE WENT HOME? 209 00:11:36,530 --> 00:11:38,031 Mitchell: HEY! FBI SURVEILLANCE FOOTAGE IS IN. 210 00:11:38,031 --> 00:11:39,491 THERE'S A TOTAL OF 4 DEAD AT THE SCENE, 211 00:11:39,491 --> 00:11:41,535 INCLUDING MARSHAL FERGUSON. 212 00:11:41,535 --> 00:11:42,910 I HAVE FACE RECOGNITION. 213 00:11:42,910 --> 00:11:44,204 LET'S GET IDs. 214 00:11:44,204 --> 00:11:46,665 WE NEED FIND THEM BEFORE THEY FIND HARDY. 215 00:12:07,435 --> 00:12:08,562 IS THIS THE PLACE? 216 00:12:08,562 --> 00:12:10,897 I HOPE SO. 217 00:12:10,897 --> 00:12:14,275 I'M LOOKING FOR A GUY NAMED TYSON. 218 00:12:14,275 --> 00:12:17,654 HA HA! WHAT THE HELL ARE YOU DOING HERE? 219 00:12:17,654 --> 00:12:18,905 COME HERE. 220 00:12:22,033 --> 00:12:23,201 THIS IS CLAIRE. 221 00:12:23,201 --> 00:12:24,785 HEY. CLAIRE. 222 00:12:24,785 --> 00:12:25,953 GOOD TO MEET YOU. 223 00:12:25,953 --> 00:12:28,164 YEAH. COME ON. LET'S GO INSIDE. 224 00:12:32,835 --> 00:12:34,921 Claire: SO HOW DO YOU TWO KNOW EACH OTHER? 225 00:12:34,921 --> 00:12:37,173 Ryan: UH, WE WENT THROUGH QUANTICO TOGETHER. 226 00:12:37,173 --> 00:12:38,925 I'VE BEEN STUCK WITH EVER SINCE. 227 00:12:38,925 --> 00:12:40,385 TRIED TO GET RID OF HIM. 228 00:12:40,385 --> 00:12:42,637 YEAH. I DUMPED OUT ON THE ROAD A COUPLE OF TIMES, 229 00:12:42,637 --> 00:12:43,971 BUT HE FOUND HIS WAY BACK. 230 00:12:43,971 --> 00:12:45,265 ARE YOU STILL WITH THE BUREAU? 231 00:12:45,265 --> 00:12:46,683 I'M NO LONGER AN AGENT. 232 00:12:46,683 --> 00:12:48,935 IN FACT, I'M NO LONGER ALIVE 233 00:12:48,935 --> 00:12:51,271 THANKS TO A CERTAIN CRIME SYNDICATE. 234 00:12:51,271 --> 00:12:53,856 I NOW LIVE IN THE WONDERFUL LAND OF NONEXISTENCE. 235 00:12:53,856 --> 00:12:57,776 TYSON'S BEEN IN WITNESS PROTECTION FOR 4 YEARS. 236 00:12:57,776 --> 00:12:59,987 SO YOU DID THE RIGHT THING COMING HERE. 237 00:12:59,987 --> 00:13:02,198 THIS IS A SAFE PLACE. 238 00:13:02,198 --> 00:13:05,368 ALL RIGHT. TALK TO ME. 239 00:13:05,368 --> 00:13:06,911 WHO'S TRYING TO KILL YOU? 240 00:13:06,911 --> 00:13:09,289 3 OF JOE'S FOLLOWERS TOOK OUT A MOTEL 241 00:13:09,289 --> 00:13:13,710 FULL OF FEDERAL AGENTS, BUT WE LOST THEM. 242 00:13:13,710 --> 00:13:15,878 NO ONE'S GONNA FIND YOU HERE. 243 00:13:17,714 --> 00:13:19,340 THANKS, TY. 244 00:13:19,340 --> 00:13:21,384 HEY. THAT'S WHAT FRIENDS ARE FOR. 245 00:13:29,976 --> 00:13:33,772 OK. I'VE READ ENOUGH. 246 00:13:33,772 --> 00:13:35,940 YOU SHOULDN'T DO THIS. 247 00:13:35,940 --> 00:13:37,984 THIS WILL MAKE YOU RICH AND FAMOUS FOR 5 MINUTES, 248 00:13:37,984 --> 00:13:40,612 AND THEN IT'S GONNA BE A BAD IDEA. 249 00:13:40,612 --> 00:13:41,696 TELL ME WHY. 250 00:13:41,696 --> 00:13:44,115 THIS IS GONNA DEFINE YOU. 251 00:13:44,115 --> 00:13:46,033 NOW YOU WERE A KICK-ASS AGENT, 252 00:13:46,033 --> 00:13:47,368 BUT IF YOU PUBLISH THIS, 253 00:13:47,368 --> 00:13:49,203 YOU'RE GONNA BE THAT ONE AGENT, 254 00:13:49,203 --> 00:13:51,414 THE JOE CARROLL GUY, FOREVER AND ALWAYS. 255 00:13:51,414 --> 00:13:55,669 WHAT IF I TOLD YOU I WANTED TO DO IT, 256 00:13:55,669 --> 00:14:00,423 THAT IT MIGHT HELP ME, YOU KNOW, REALLY HELP ME? 257 00:14:03,009 --> 00:14:04,803 THEN I SAY GO FOR IT. 258 00:14:04,803 --> 00:14:06,387 WHAT DO I KNOW? 259 00:14:11,476 --> 00:14:13,770 I MISSED YOU, MAN. 260 00:14:13,770 --> 00:14:15,730 IT'S REALLY GOOD TO SEE YOU. 261 00:14:21,444 --> 00:14:24,863 WOW. THIS IS A COOL ROOM. 262 00:14:24,863 --> 00:14:26,700 I GUESS. WHATEVER. 263 00:14:26,700 --> 00:14:28,909 HEY. THIS PLACE IS AWESOME. 264 00:14:28,909 --> 00:14:30,077 WHAT? YOU DON'T LIKE IT HERE? 265 00:14:30,077 --> 00:14:33,164 I DON'T KNOW. I MISS MY MOM. 266 00:14:33,164 --> 00:14:35,166 Carroll: JACOB. 267 00:14:35,166 --> 00:14:37,251 HOW DID YOU SLEEP? 268 00:14:37,251 --> 00:14:39,170 MORNING, JOE. I SLEPT GREAT. 269 00:14:39,170 --> 00:14:40,755 GOOD. 270 00:14:40,755 --> 00:14:42,716 GOOD MORNING, JOEY. 271 00:14:42,716 --> 00:14:45,092 HEY, JOEY. DON'T BE RUDE! 272 00:14:45,092 --> 00:14:46,427 NO, NO. IT'S ALL RIGHT. 273 00:14:46,427 --> 00:14:51,432 MY SON IS STILL, UM, ADJUSTING. 274 00:14:51,432 --> 00:14:54,561 HAVE YOU--YOU GET A CHANCE TO HAVE A GOOD LOOK AROUND? 275 00:14:54,561 --> 00:14:56,396 YEAH. JOEY GAVE ME THE GRAND TOUR. 276 00:14:56,396 --> 00:15:01,526 GOOD. I'M SURE YOU'RE GOING TO BE VERY HAPPY HERE WITH US ALL. 277 00:15:01,526 --> 00:15:07,365 THERE'S JUST ONE THING I'D--I'D LIKE YOU TO DO FOR ME. 278 00:15:07,365 --> 00:15:09,242 YEAH, SURE. ANYTHING. 279 00:15:09,242 --> 00:15:11,578 YOU TALK TO EMMA, 280 00:15:11,578 --> 00:15:14,455 GIVE HER A CHANCE TO EXPLAIN HER SIDE OF THINGS. 281 00:15:14,455 --> 00:15:15,956 YOU TWO NEED EACH OTHER. 282 00:15:15,956 --> 00:15:17,083 AFTER WHAT SHE DID-- 283 00:15:17,083 --> 00:15:20,461 SHE WAS TAKING CARE OF MY SON. 284 00:15:20,461 --> 00:15:22,296 SHE DID WHAT WAS ASKED OF HER, 285 00:15:22,296 --> 00:15:25,258 AND NOW I ASK A FAVOR OF YOU. 286 00:15:25,258 --> 00:15:28,845 RESOLVE THIS, SETTLE YOUR DIFFERENCES. 287 00:15:28,845 --> 00:15:32,348 YOU UNDERSTAND? 288 00:15:32,348 --> 00:15:33,767 SHE LEFT US FOR DEAD. 289 00:15:33,767 --> 00:15:37,478 I'M SURE THAT'S-- THAT'S HOW YOU FEEL, 290 00:15:37,478 --> 00:15:41,399 BUT I NEED YOU TO FORGIVE HER. 291 00:15:41,399 --> 00:15:46,738 YOU LOVE EMMA. I KNOW YOU DO. OK? 292 00:15:52,702 --> 00:15:56,581 EMMA'S A SELFISH BITCH, ALWAYS WAS. 293 00:16:14,014 --> 00:16:15,391 SURVEILLANCE FOOTAGE FROM THE HOTEL 294 00:16:15,391 --> 00:16:16,851 MATCHED VINCENT McKINNLEY, 295 00:16:16,851 --> 00:16:18,519 WANTED IN CONNECTION WITH 3 SEPARATE MURDERS 296 00:16:18,519 --> 00:16:19,896 IN NEW YORK STATE. 297 00:16:19,896 --> 00:16:21,188 THE OTHER ONE'S BROCK WICKFORD. 298 00:16:21,188 --> 00:16:22,482 THEY'RE BROTHERS IN A SENSE. 299 00:16:22,482 --> 00:16:23,608 THEY MET IN THE JUVENILE SYSTEM, 300 00:16:23,608 --> 00:16:25,735 BOTH PRODUCTS OF ABUSE. 301 00:16:25,735 --> 00:16:27,194 THEY WERE SENT TO A FOSTER CARE HOME 302 00:16:27,194 --> 00:16:29,113 THAT WAS LATER BUSTED FOR MILITIA ACTIVITY. 303 00:16:29,113 --> 00:16:30,865 I'M SURE THEY PICKED UP SOME GREAT SKILLS THERE. 304 00:16:30,865 --> 00:16:32,700 I'VE HACKED INTO VINCENT'S E-MAIL ACCOUNT. 305 00:16:32,700 --> 00:16:33,952 HE COMMUNICATES INTERNATIONALLY, 306 00:16:33,952 --> 00:16:35,328 SAME AS OUR OTHER CULT FOLKS. 307 00:16:35,328 --> 00:16:36,788 I COULDN'T RETRIEVE ANY CONTENT, 308 00:16:36,788 --> 00:16:38,164 BUT I DID FIND THIS ONE SEQUENCE 309 00:16:38,164 --> 00:16:40,875 EMBEDDED IN HIS E-MAILS. 310 00:16:40,875 --> 00:16:43,294 WHAT IS THAT, A PASSWORD? 311 00:16:43,294 --> 00:16:45,379 IT COULD BE. IT'S MEANT TO BE HIDDEN. 312 00:16:45,379 --> 00:16:48,048 CHARLES MEAD HAD A SERIES OF ENCRYPTED URLs. 313 00:16:48,048 --> 00:16:49,175 SEE IF YOU GET LUCKY. 314 00:16:49,175 --> 00:16:50,510 ON IT. 315 00:16:50,510 --> 00:16:52,762 YEAH? 316 00:16:52,762 --> 00:16:54,973 NOTHING? 317 00:16:54,973 --> 00:16:56,850 THANK YOU. 318 00:16:56,850 --> 00:16:58,643 RYAN AND CLAIRE AREN'T AT HIS PLACE IN BROOKLYN. 319 00:16:58,643 --> 00:17:00,770 THEY'VE JUST COMPLETELY DISAPPEARED. 320 00:17:11,823 --> 00:17:13,115 HI. 321 00:17:15,869 --> 00:17:21,040 JOE WANTED ME TO COME AND TALK TO YOU, SO HERE I AM. 322 00:17:21,040 --> 00:17:22,792 CAN YOU SIT? 323 00:17:36,556 --> 00:17:38,892 WELL? 324 00:17:38,892 --> 00:17:40,267 OK. 325 00:17:43,813 --> 00:17:46,399 THIS IS HARD. 326 00:17:46,399 --> 00:17:47,859 I'VE BEEN THINKING ABOUT WHAT TO SAY TO YOU 327 00:17:47,859 --> 00:17:49,903 SINCE LAST NIGHT. 328 00:17:49,903 --> 00:17:52,989 WHEN YOU WERE SURPRISED TO SEE ME? 329 00:17:56,325 --> 00:17:58,077 DID YOU THINK I WAS DEAD? 330 00:17:58,077 --> 00:18:00,580 NO. I DON'T-- I DON'T KNOW. 331 00:18:00,580 --> 00:18:02,415 I DIDN'T KNOW WHAT TO THINK. 332 00:18:05,418 --> 00:18:10,798 I'M SO SORRY ABOUT PAUL. 333 00:18:10,798 --> 00:18:12,508 I LOVED HIM, TOO. 334 00:18:12,508 --> 00:18:14,761 NO, YOU DIDN'T. 335 00:18:14,761 --> 00:18:16,178 I DID. 336 00:18:18,180 --> 00:18:21,308 I KNOW YOU THINK I ABANDONED YOU, 337 00:18:21,308 --> 00:18:23,686 AND MAYBE I DID, BUT YOU CAN'T JUST BLAME ME. 338 00:18:23,686 --> 00:18:25,897 I WAS DOING WHAT RODERICK TOLD ME TO DO FOR JOEY. 339 00:18:25,897 --> 00:18:28,566 YOU DIDN'T HAVE TO LEAVE US. 340 00:18:28,566 --> 00:18:31,778 IT WAS CRAZY THAT NIGHT, CONFUSING. 341 00:18:31,778 --> 00:18:33,111 I WAS NEARLY KILLED, TOO. 342 00:18:33,111 --> 00:18:34,154 I ALMOST LOST JOEY. 343 00:18:34,154 --> 00:18:35,740 NO, YOU DIDN'T. 344 00:18:35,740 --> 00:18:38,910 YOU WERE FINE, BOTH OF YOU WERE. 345 00:18:38,910 --> 00:18:41,537 I FELT TERRIBLE, 346 00:18:41,537 --> 00:18:42,830 BUT I COULDN'T GO BACK, 347 00:18:42,830 --> 00:18:44,624 NOT WITH ALL THE POLICE, 348 00:18:44,624 --> 00:18:45,875 AND RODERICK JUST KEPT SAYING, 349 00:18:45,875 --> 00:18:48,168 "MOVE FORWARD, TAKE JOEY HOME." 350 00:18:48,168 --> 00:18:50,379 YOU WOULD HAVE DONE THE SAME THING. 351 00:18:52,172 --> 00:18:55,384 THAT'S WHERE YOU'RE WRONG. 352 00:18:55,384 --> 00:18:58,554 PLEASE DON'T BE LIKE THIS. 353 00:18:58,554 --> 00:19:01,390 I WISH I COULD UNDO IT 354 00:19:01,390 --> 00:19:05,979 AND MAKE THINGS RIGHT. 355 00:19:05,979 --> 00:19:09,732 I LOVE YOU, JACOB. 356 00:19:09,732 --> 00:19:12,192 YOU KNOW THAT, RIGHT? 357 00:19:14,278 --> 00:19:15,488 Claire: WHERE DID RYAN GO? 358 00:19:15,488 --> 00:19:16,990 Tyson: HE WANTED TO CLEAN UP. 359 00:19:19,199 --> 00:19:21,619 SO YOU GUYS ARE PRETTY CLOSE. 360 00:19:21,619 --> 00:19:24,538 I'M NOT GONNA LIE. I KNOW THE STORY. 361 00:19:24,538 --> 00:19:26,666 YEAH. 362 00:19:26,666 --> 00:19:30,336 OR AS CLOSE AS ANYONE CAN GET TO THE MAN. 363 00:19:30,336 --> 00:19:32,922 HE TRIES REALLY HARD TO PUSH YOU AWAY. 364 00:19:32,922 --> 00:19:34,715 I JUST REFUSED TO BUDGE. 365 00:19:34,715 --> 00:19:36,383 THAT'S HOW IT IS WITH HIM. 366 00:19:36,383 --> 00:19:39,720 REFUSE TO BUDGE. 367 00:19:39,720 --> 00:19:43,641 HE TRIES, BUT HE CAN'T QUITE BRING ANYONE INSIDE. 368 00:19:43,641 --> 00:19:45,476 YOU KNOW, IT GOES FURTHER BACK THAN JOE CARROLL. 369 00:19:45,476 --> 00:19:47,353 YEAH. I KNOW ABOUT HIS FAMILY. 370 00:19:49,605 --> 00:19:51,732 HE TELL YOU ABOUT HIS DEATH CURSE? 371 00:19:51,732 --> 00:19:53,109 YEAH. 372 00:19:57,488 --> 00:19:59,699 WHAT ABOUT OTHER WOMEN? 373 00:19:59,699 --> 00:20:01,367 THERE WERE SOME, YEAH. 374 00:20:01,367 --> 00:20:03,452 WHEN HE WAS YOUNGER, HE WENT THROUGH THEM QUICK, 375 00:20:03,452 --> 00:20:05,830 SOME GOOD ONES, TOO. 376 00:20:05,830 --> 00:20:09,249 BUT NO ONE SERIOUS? 377 00:20:09,249 --> 00:20:13,963 HIS LAST GIRL--MOLLY-- SHE WANTED TO BE SERIOUS. 378 00:20:13,963 --> 00:20:15,131 SWEET GIRL, TOO. 379 00:20:17,383 --> 00:20:19,426 THAT'S A GOOD THING. I DON'T THINK-- 380 00:20:19,426 --> 00:20:21,888 EXCUSE ME. HOLD THIS FOR ME, HOLD THIS, HOLD IT. 381 00:20:21,888 --> 00:20:23,056 WHAT? 382 00:20:23,056 --> 00:20:26,142 MOLLY, SO NICE TO FINALLY MEET YOU. 383 00:20:26,142 --> 00:20:29,103 AW. YOU, TOO, BEST FRIEND. 384 00:20:29,103 --> 00:20:30,270 OH, NO, BUT WAIT, WAIT, WAIT. 385 00:20:30,270 --> 00:20:32,356 OK. YOU HAVE TO TELL ME 386 00:20:32,356 --> 00:20:33,482 WHAT IS WRONG WITH THIS MAN. 387 00:20:33,482 --> 00:20:34,692 I MEAN, REALLY. I NEED ALL THE DIRT 388 00:20:34,692 --> 00:20:37,361 BEFORE I INVEST ANY MORE TIME IN HIM. 389 00:20:37,361 --> 00:20:40,198 RYAN? OH. CUT YOUR LOSSES NOW. 390 00:20:40,198 --> 00:20:43,034 I'M THE BETTER PICK. HE'S A FREAK. 391 00:20:43,034 --> 00:20:44,410 REALLY? HOW SO? 392 00:20:44,410 --> 00:20:45,745 OOH. HAND PUPPETS. 393 00:20:45,745 --> 00:20:49,331 IT'S--IT'S HIS HOBBY, FETISH, WHATEVER. 394 00:20:49,331 --> 00:20:50,708 HE MAKES THEM OUT OF OLD SOCKS, 395 00:20:50,708 --> 00:20:52,001 PUTS ON PRIVATE SHOWS. 396 00:20:52,001 --> 00:20:53,293 IT'S CREEPY. 397 00:20:53,293 --> 00:20:55,462 I'LL TAKE MY CHANCES. 398 00:20:57,506 --> 00:20:58,799 MM-HMM. 399 00:21:07,558 --> 00:21:08,726 Tyson, voice-over: SHE TRIED, 400 00:21:08,726 --> 00:21:10,937 HELD ON AS LONG AS SHE COULD. 401 00:21:10,937 --> 00:21:13,189 YOU KNOW THE DRILL. HEH. 402 00:21:13,189 --> 00:21:15,566 BUT LET'S FACE IT. 403 00:21:15,566 --> 00:21:18,527 IF HE COULDN'T GO THERE WITH YOU, 404 00:21:18,527 --> 00:21:21,197 SHE DIDN'T STAND A CHANCE. 405 00:21:21,197 --> 00:21:24,658 SO WAS THERE EVER ANYONE SERIOUS? 406 00:21:24,658 --> 00:21:27,369 YEAH, CLAIRE. YOU. 407 00:21:31,457 --> 00:21:34,627 Ryan: OK, OK. WHAT LIES ARE YOU TELLING ABOUT ME NOW? 408 00:21:34,627 --> 00:21:35,795 GIRL TALK. NONE OF YOUR BUSINESS. 409 00:21:35,795 --> 00:21:37,671 AH. IS THAT RIGHT? 410 00:21:37,671 --> 00:21:40,091 RYAN. 411 00:21:40,091 --> 00:21:41,341 WHAT IS IT? 412 00:21:41,341 --> 00:21:43,261 I DON'T KNOW. I FOUND IT ON MY SWEATER. 413 00:21:45,972 --> 00:21:47,431 THEY MUST HAVE TAGGED YOU 414 00:21:47,431 --> 00:21:50,643 WHEN JOE'S GUY JUMPED YOU AT THE MOTEL. 415 00:21:50,643 --> 00:21:52,311 DOES THAT MEAN THEY KNOW WE'RE HERE? 416 00:21:52,311 --> 00:21:54,855 YEAH, THEY KNOW. 417 00:22:05,199 --> 00:22:06,867 HEY, TY. I'M REALLY SORRY 418 00:22:06,867 --> 00:22:08,327 FOR BRINGING MY PROBLEMS INTO YOUR HOME. 419 00:22:08,327 --> 00:22:10,163 I OWE THE GUY. 420 00:22:10,163 --> 00:22:12,331 RYAN HAS SAVED MY LIFE MORE THAN ONCE, 421 00:22:12,331 --> 00:22:14,041 AND HE'S NOT ONE TO ASK FOR HELP, 422 00:22:14,041 --> 00:22:15,375 SO HIM COMING HERE SAYS A LOT. 423 00:22:15,375 --> 00:22:19,839 HEY. I'M GLAD YOU CAME. 424 00:22:19,839 --> 00:22:21,548 WELL, IF THEY'RE OUT THERE, 425 00:22:21,548 --> 00:22:23,092 I DIDN'T SEE THEM. 426 00:22:23,092 --> 00:22:26,012 I HAVE A STATE-OF-THE-ART ALARM SYSTEM OUT THERE. 427 00:22:26,012 --> 00:22:27,680 THESE GUYS ARE BETTER THAN THAT, MAN. 428 00:22:27,680 --> 00:22:30,891 CARRYING MICRO-UZIS AND WEARING VESTS. 429 00:22:30,891 --> 00:22:32,768 WELL, WE'RE SHORT ON AMMO, 430 00:22:32,768 --> 00:22:34,812 SO WE BETTER MAKE THESE COUNT, 431 00:22:34,812 --> 00:22:37,773 AND THIS WILL BLOW RIGHT THROUGH THEIR VESTS. 432 00:22:37,773 --> 00:22:40,943 WE JUST GOT TO SURPRISE THEM WITH A TRICK OR TWO. 433 00:22:40,943 --> 00:22:42,862 WHAT'D YOU HAVE IN MIND? 434 00:22:47,365 --> 00:22:49,869 I HATE BOLOGNA. 435 00:22:49,869 --> 00:22:51,495 I KNOW IT'S NOT YOUR FAVORITE, 436 00:22:51,495 --> 00:22:54,290 BUT I COULDN'T FIND ANYTHING ELSE. 437 00:22:54,290 --> 00:22:56,959 LIZZIE NEEDS TO GO SHOPPING. 438 00:22:56,959 --> 00:22:59,295 WHO'S LIZZIE? WHY IS SHE HERE? 439 00:22:59,295 --> 00:23:01,088 SHE'S A FRIEND OF YOUR DAD'S. 440 00:23:01,088 --> 00:23:03,632 AND EVERYONE ELSE, THEY'RE FRIENDS, TOO? 441 00:23:03,632 --> 00:23:05,218 THAT'S RIGHT. 442 00:23:07,303 --> 00:23:09,555 WHY DO THEY ALL LIVE HERE, 443 00:23:09,555 --> 00:23:12,432 AND HOW COME MY DAD'S NOT IN JAIL ANYMORE? 444 00:23:16,229 --> 00:23:18,731 MAYBE YOU SHOULD ASK HIM THAT YOURSELF. 445 00:23:18,731 --> 00:23:20,649 I'LL BE RIGHT BACK, JOEY, OK? 446 00:23:27,198 --> 00:23:32,995 OH. S'MORES. S'MORES, S'MORES, S'MORES, S'MORES. 447 00:23:32,995 --> 00:23:35,539 OK. 448 00:23:35,539 --> 00:23:37,333 OH. HEY, JOEY. 449 00:23:41,295 --> 00:23:42,796 DON'T MIND ME. 450 00:23:50,054 --> 00:23:54,558 A LITTLE CHOCOLATE, A LITTLE... 451 00:23:54,558 --> 00:23:56,018 CHOCOLATE? 452 00:23:56,018 --> 00:23:57,228 YOU'RE DOING IT WRONG. 453 00:23:57,228 --> 00:23:59,188 HMM? 454 00:23:59,188 --> 00:24:00,356 YOU'RE SUPPOSED TO HEAT 455 00:24:00,356 --> 00:24:03,025 THE MARSHMALLOWS FIRST. 456 00:24:03,025 --> 00:24:06,779 YES. HEH. YES. OF COURSE. 457 00:24:06,779 --> 00:24:09,447 SO, JOEY, 458 00:24:09,447 --> 00:24:12,659 THERE ANYTHING YOU WANT TO ASK ME? 459 00:24:12,659 --> 00:24:18,498 YOU KNOW, I'LL TELL YOU ANYTHING YOU LIKE. 460 00:24:18,498 --> 00:24:20,876 LET ME JUST TAKE THOSE. 461 00:24:20,876 --> 00:24:23,087 DON'T BREAK THE CRACKERS. 462 00:24:23,087 --> 00:24:24,630 DON'T YOU KNOW HOW TO MAKE S'MORES? 463 00:24:24,630 --> 00:24:26,799 YOU KNOW, ITS, UM-- 464 00:24:26,799 --> 00:24:29,260 IT'S--IT'S BEEN A WHILE. 465 00:24:29,260 --> 00:24:35,141 UH, HEY. DO YOU THINK YOU COULD HELP ME? 466 00:24:35,141 --> 00:24:36,516 I DON'T KNOW. 467 00:24:36,516 --> 00:24:40,104 OH. OH, COME ON. I'M DYING FOR S'MORES. 468 00:24:40,104 --> 00:24:45,401 IT'S ABSOLUTELY MY FAVORITE FOOD. 469 00:24:46,526 --> 00:24:48,154 IT'S MY FAVORITE FOOD, TOO. 470 00:24:48,154 --> 00:24:49,571 NO WAY! 471 00:24:49,571 --> 00:24:51,698 IS IT REALLY YOURS, TOO? 472 00:24:51,698 --> 00:24:54,576 OH, NOW YOU'VE GOT TO SHOW ME 473 00:24:54,576 --> 00:24:57,204 BECAUSE I'M USELESS. 474 00:25:03,836 --> 00:25:06,088 HERE. COME HERE. JUMP UP. 475 00:25:06,088 --> 00:25:09,842 THERE WE GO. 476 00:25:09,842 --> 00:25:11,093 NOW. 477 00:25:14,013 --> 00:25:17,224 WHEN AM I GONNA SEE MY MOM? 478 00:25:17,224 --> 00:25:23,105 WHAT IF I SAID REALLY, REALLY SOON? 479 00:25:23,105 --> 00:25:25,691 YEAH. OK. 480 00:25:25,691 --> 00:25:27,443 TCCH. 481 00:25:27,443 --> 00:25:29,320 NOW CHOCOLATE, YEAH? 482 00:25:36,952 --> 00:25:38,536 ANYTHING? 483 00:25:38,536 --> 00:25:41,707 NO. NOT YET. 484 00:25:41,707 --> 00:25:45,419 SO WE JUST WAIT? 485 00:25:45,419 --> 00:25:47,338 I WANT YOU TO STAY UP HERE, LOCK THE DOOR, 486 00:25:47,338 --> 00:25:48,630 BARRICADE YOURSELF IN. 487 00:25:48,630 --> 00:25:50,090 WE'RE GONNA BE RIGHT DOWNSTAIRS. 488 00:25:50,090 --> 00:25:53,052 ARE YOU OK? 489 00:25:53,052 --> 00:25:54,928 I'LL BE OK WHEN WE'RE OUT OF HERE 490 00:25:54,928 --> 00:25:58,098 AND WHEN YOU'RE SAFE AND TYSON'S SAFE AND JOEY'S SAFE-- 491 00:25:58,098 --> 00:25:59,141 NO. I MEAN, I KNOW-- I KNOW THAT YOU HAVE THIS THEORY 492 00:25:59,141 --> 00:26:02,436 THAT EVERYONE DIES ON YOU. 493 00:26:02,436 --> 00:26:03,645 IT'S NOT A THEORY. 494 00:26:03,645 --> 00:26:05,563 WELL, IT'S NOT REALITY EITHER. 495 00:26:08,692 --> 00:26:11,278 OK. IS THIS REALLY THE TIME TO TALK ABOUT THIS? 496 00:26:11,278 --> 00:26:13,739 I DON'T KNOW. IS THIS THE TIME? YOU TELL ME. 497 00:26:13,739 --> 00:26:17,284 WHEN IS THERE EVER A GOOD TIME FOR US TO TALK ABOUT ANYTHING? 498 00:26:25,834 --> 00:26:28,962 WHY DIDN'T YOU CALL ME? 499 00:26:28,962 --> 00:26:30,714 8 YEARS, WHY DIDN'T YOU CALL? 500 00:26:30,714 --> 00:26:32,383 I TOLD YOU. I'M YOUR PAST. 501 00:26:32,383 --> 00:26:33,509 YOU NEED TO MOVE FORWARD. 502 00:26:33,509 --> 00:26:34,552 WHAT IF YOU ARE MY FORWARD, RYAN? 503 00:26:34,552 --> 00:26:36,136 I MEAN, LOOK AT US. 504 00:26:36,136 --> 00:26:37,721 WE'RE SO SCREWED UP, WE'RE DAMAGED. 505 00:26:37,721 --> 00:26:39,597 WHO ELSE IS OUT THERE FOR EITHER ONE OF US? 506 00:26:39,597 --> 00:26:42,726 IT'S JUST THAT I KNOW WHAT I'LL ALWAYS REPRESENT TO YOU. 507 00:26:47,440 --> 00:26:50,234 WELL, THEN WHAT IF I TOLD YOU I LOVE YOU? 508 00:26:59,659 --> 00:27:02,371 I'D SAY THAT'S A REALLY BAD IDEA. 509 00:27:08,461 --> 00:27:09,711 AND... 510 00:27:12,798 --> 00:27:14,841 AND THAT I LOVE YOU, TOO. 511 00:27:52,670 --> 00:27:55,048 THERE'S A-- THERE'S A HOUSE THROUGH THESE TREES. 512 00:27:55,048 --> 00:27:57,551 CLAIRE'S IN THE BACK WEST CORNER. 513 00:27:57,551 --> 00:27:59,303 EH, WE GOT TO MOVE FAST. 514 00:27:59,303 --> 00:28:00,554 BROCK, YOU'RE UP. 515 00:28:00,554 --> 00:28:02,473 SCOUT THE PLACE. PUT THAT ON. 516 00:28:47,934 --> 00:28:49,353 ONE DOWN. 517 00:28:56,235 --> 00:28:58,654 I TOLD YOU IT WOULD WORK. 518 00:28:58,654 --> 00:29:02,115 POINT-BLANK RANGE RIGHT THROUGH THE VEST. 519 00:29:02,115 --> 00:29:04,201 GUARD THE BACK. I'LL CHECK ON CLAIRE. 520 00:29:04,201 --> 00:29:05,244 ALL RIGHT. 521 00:29:47,327 --> 00:29:48,954 SORRY. I'M SORRY. 522 00:29:48,954 --> 00:29:50,664 I HEARD A GUNSHOT. WHAT HAPPENED? 523 00:29:50,664 --> 00:29:52,165 THERE'S TWO MORE OF THEM OUTSIDE. 524 00:29:54,501 --> 00:29:55,961 WAIT HERE. 525 00:29:58,004 --> 00:30:02,342 Roderick: I KNOW YOU'RE IN THERE, CLAIRE. 526 00:30:02,342 --> 00:30:05,011 COME OUT. 527 00:30:05,011 --> 00:30:08,223 NO ONE ELSE HAS TO DIE. 528 00:30:08,223 --> 00:30:09,891 NO MORE BLOODSHED. 529 00:30:12,352 --> 00:30:15,397 I'LL TAKE YOU TO JOEY. 530 00:30:15,397 --> 00:30:18,609 YOU JUST COME OUT. 531 00:30:20,026 --> 00:30:23,029 AAH! AAH! 532 00:30:26,992 --> 00:30:29,828 RYAN! YOU OK? 533 00:30:29,828 --> 00:30:31,037 RYAN! 534 00:30:32,706 --> 00:30:33,957 TYSON! 535 00:30:33,957 --> 00:30:35,542 COME ON. 536 00:30:41,423 --> 00:30:43,967 Ryan: HEY, TY. TYSON. 537 00:30:43,967 --> 00:30:46,428 DID YOU GET HIM? 538 00:30:46,428 --> 00:30:47,554 NO. 539 00:30:49,973 --> 00:30:51,308 HE GOT ME. 540 00:30:51,308 --> 00:30:52,643 COME HERE. 541 00:30:54,144 --> 00:30:55,688 GET HIM INSIDE. 542 00:30:57,731 --> 00:30:58,732 ALL RIGHT. COME ON. 543 00:30:58,732 --> 00:31:00,025 OVER HERE. 544 00:31:00,025 --> 00:31:01,443 LET'S GET HIM OVER HERE. 545 00:31:01,443 --> 00:31:02,695 ALL RIGHT. PUT HIM DOWN. PUT HIM DOWN. 546 00:31:02,695 --> 00:31:03,737 EASY, EASY, BUDDY. EASY. 547 00:31:03,737 --> 00:31:04,946 SET HIM DOWN. 548 00:31:05,947 --> 00:31:07,449 OK. THERE'S TWO WOUNDS. 549 00:31:14,914 --> 00:31:17,209 SHH! NO. DON'T TALK. DON'T TALK. 550 00:31:17,209 --> 00:31:18,502 WE HAVE TO GET HIM TO A HOSPITAL. 551 00:31:18,502 --> 00:31:19,753 HANG ON, BUDDY. COME ON, TYSON. 552 00:31:19,753 --> 00:31:21,087 STAY WITH ME, BABY. COME ON. 553 00:31:21,087 --> 00:31:22,047 JUST STAY AWAKE. 554 00:31:22,047 --> 00:31:23,048 I'M OK, I'M OK. 555 00:31:23,048 --> 00:31:24,216 THAT'S IT, THAT'S IT. 556 00:31:24,216 --> 00:31:26,343 I'M OK. 557 00:31:27,594 --> 00:31:28,721 WHAT WAS THAT? 558 00:31:28,721 --> 00:31:29,929 I DON'T KNOW. 559 00:31:33,058 --> 00:31:34,351 WAIT HERE. 560 00:31:34,351 --> 00:31:35,977 I'LL BE RIGHT BACK. 561 00:31:35,977 --> 00:31:37,396 RYAN, DON'T GO DOWN THERE. 562 00:31:37,396 --> 00:31:40,524 HEY. YOU HEARD HIM. 563 00:31:43,402 --> 00:31:47,656 IT'S OK. IT'S OK. 564 00:31:47,656 --> 00:31:50,116 I'LL BE RIGHT BACK. 565 00:32:18,228 --> 00:32:20,731 YOU DON'T WANT TO DO THAT, CLAIRE. 566 00:32:24,777 --> 00:32:25,819 CLAIRE? 567 00:32:25,819 --> 00:32:28,113 THE KILLING HAS TO STOP. 568 00:32:28,113 --> 00:32:29,947 DON'T YOU WANT TO SEE JOEY? 569 00:32:35,161 --> 00:32:37,289 TAKE ME TO MY SON. 570 00:32:50,385 --> 00:32:52,429 CLAIRE! 571 00:32:52,429 --> 00:32:54,389 CLAIRE! 572 00:32:54,389 --> 00:32:55,682 WAIT! 573 00:32:57,142 --> 00:32:58,351 [MOUTHS] I LOVE YOU. 574 00:33:19,790 --> 00:33:21,249 UNH! 575 00:33:34,763 --> 00:33:36,389 YEAH. COME IN. 576 00:33:40,101 --> 00:33:41,520 HEY. 577 00:33:50,028 --> 00:33:52,614 I JUST WANTED TO CHECK ON YOU. 578 00:33:52,614 --> 00:33:54,115 HOW YOU DOING? 579 00:33:58,203 --> 00:33:59,830 ARE YOU OK? 580 00:34:06,670 --> 00:34:10,883 I KNOW IT'S GONNA TAKE TIME, BUT... 581 00:34:10,883 --> 00:34:13,134 I WANT TO WIN BACK YOUR TRUST. 582 00:34:16,680 --> 00:34:18,807 I LOVE YOU, JACOB. 583 00:35:03,101 --> 00:35:04,394 Mitchell: YOU WERE RIGHT. IT WAS A PASSWORD. 584 00:35:04,394 --> 00:35:06,229 THIS IS FROM CHARLIE'S ENCRYPTED URLs. 585 00:35:06,229 --> 00:35:08,690 WATCH WHAT HAPPENS WHEN I ENTER THE SEQUENCE. 586 00:35:08,690 --> 00:35:10,943 Man: AND THE RAVEN, NEVER FLITTING... 587 00:35:12,110 --> 00:35:14,863 STILL IS SITTING, STILL IS SITTING 588 00:35:14,863 --> 00:35:17,032 ON THE PALLID BUST OF PALLAS 589 00:35:17,032 --> 00:35:18,283 JUST ABOVE MY CHAMBER DOOR... 590 00:35:19,618 --> 00:35:21,828 AND HIS EYES HAVE ALL THE SEEMING... 591 00:35:21,828 --> 00:35:23,162 CREEPY AS HELL. 592 00:35:23,162 --> 00:35:25,123 LOOKS LIKE ONE OF JOE CARROLL'S FAN SITES. 593 00:35:25,123 --> 00:35:26,332 NO. THERE'S SOMETHING HERE. 594 00:35:26,332 --> 00:35:27,709 CAN I? 595 00:35:27,709 --> 00:35:30,963 Man: SHADOW ON THE FLOOR; AND MY SOUL... 596 00:35:30,963 --> 00:35:32,923 IS THAT A GLITCH? 597 00:35:32,923 --> 00:35:35,550 NO. SEE HOW THE POINTER VANISHES 598 00:35:35,550 --> 00:35:36,927 WHEN I SCROLL OVER IT? 599 00:35:36,927 --> 00:35:40,055 Man: NEVERMORE! 600 00:35:40,055 --> 00:35:41,098 WHAT THE HELL? 601 00:35:41,098 --> 00:35:42,307 WOW. THERE'S A SECRET DOOR. 602 00:35:42,307 --> 00:35:43,725 IT'S CALLED STEGANOGRAPHY, 603 00:35:43,725 --> 00:35:45,811 INNOCUOUS WEB SITES WITH HIDDEN PORTALS. 604 00:35:57,781 --> 00:35:58,949 IS THIS LIVE? 605 00:35:58,949 --> 00:36:00,533 NO. IT'S RECORDED. 606 00:36:00,533 --> 00:36:03,286 HELLO, FRIEND. YOU'VE BEEN ALLOWED ENTRY. 607 00:36:03,286 --> 00:36:05,664 BE PREPARED TO CHANGE YOUR LIFE FOREVER. 608 00:36:05,664 --> 00:36:07,833 ENTER YOUR NAME AND YOUR E-MAIL, 609 00:36:07,833 --> 00:36:09,709 AND SOMEONE WILL GET BACK TO YOU. 610 00:36:39,990 --> 00:36:42,283 OH! GET AWAY. 611 00:36:42,283 --> 00:36:44,494 Emma: WHAT? 612 00:36:44,494 --> 00:36:46,038 I'LL BE RIGHT BACK. 613 00:36:57,340 --> 00:36:59,176 WHY ARE YOU DOING THIS? 614 00:36:59,176 --> 00:37:01,803 YOU KNOW WHY. 615 00:37:01,803 --> 00:37:03,972 I'M NOT GONNA KILL HER. 616 00:37:03,972 --> 00:37:05,891 I'M DEAD BECAUSE OF HER. 617 00:37:05,891 --> 00:37:08,560 SHE BETRAYED US. 618 00:37:08,560 --> 00:37:10,729 SHE DESERVES TO DIE. 619 00:37:12,772 --> 00:37:14,273 NO. 620 00:37:16,651 --> 00:37:18,778 YOU'RE THE ONE THAT'S DEAD. 621 00:37:24,034 --> 00:37:28,287 JACOB, JACOB, JACOB. JACOB, KILL HER. 622 00:37:28,287 --> 00:37:30,123 KILL HER. YOU KNOW YOU WANT TO. 623 00:37:30,123 --> 00:37:31,166 YOU WANT TO. JUST KILL HER. 624 00:37:31,166 --> 00:37:32,667 I'M NOT GONNA DO IT. 625 00:37:32,667 --> 00:37:33,960 KILL HER. 626 00:37:33,960 --> 00:37:35,712 I'M NOT GONNA DO IT. JUST LEAVE ME ALONE! 627 00:37:40,550 --> 00:37:43,053 SHE LIED TO YOU. SHE LIED TO YOU. 628 00:37:43,053 --> 00:37:44,470 SHE LIED TO YOU. 629 00:37:44,470 --> 00:37:45,597 JUST KILL HER. JUST KILL HER! 630 00:37:45,597 --> 00:37:48,767 STOP IT. STOP IT. STOP IT. 631 00:37:59,611 --> 00:38:02,197 I'M SO SORRY, PAUL. 632 00:38:22,508 --> 00:38:24,761 WHAT IS IT? 633 00:38:24,761 --> 00:38:27,013 I NEVER TOLD YOU HOW PAUL DIED. 634 00:38:29,724 --> 00:38:32,727 I TOOK A PILLOW, 635 00:38:32,727 --> 00:38:35,063 AND I SUFFOCATED HIM. 636 00:38:38,275 --> 00:38:40,317 I KILLED PAUL. 637 00:38:42,403 --> 00:38:45,740 OH, JACOB. 638 00:38:52,330 --> 00:38:53,623 YEAH. 639 00:38:55,917 --> 00:38:57,836 I'VE KILLED NOW. 640 00:39:01,965 --> 00:39:06,511 I KILLED MY BEST FRIEND 641 00:39:06,511 --> 00:39:08,721 BECAUSE OF YOU. 642 00:39:13,893 --> 00:39:16,021 I HAVE A REAL TASTE FOR IT NOW. 643 00:39:17,022 --> 00:39:18,397 SHH. 644 00:39:21,484 --> 00:39:24,196 I'D WATCH MY BACK IF I WERE YOU. 645 00:39:38,168 --> 00:39:40,003 I'M GONNA HANG AROUND FOR A WHILE IN CASE HE WAKES UP 646 00:39:40,003 --> 00:39:41,796 IF THAT'S OK. 647 00:39:41,796 --> 00:39:43,381 THANKS. 648 00:39:46,592 --> 00:39:48,303 YEAH. 649 00:39:48,303 --> 00:39:50,847 Carroll: HELLO, RYAN. HOW ARE YOU? 650 00:39:50,847 --> 00:39:55,185 MORE IMPORTANTLY, UM, HOW IS YOUR FRIEND? 651 00:39:55,185 --> 00:39:56,519 IS HE OK? 652 00:39:56,519 --> 00:39:59,022 I DO HOPE YOU DIDN'T GET HIM KILLED. 653 00:39:59,022 --> 00:40:01,274 I'D HATE FOR YOU TO HAVE TO ADD HIM 654 00:40:01,274 --> 00:40:05,778 TO THAT LONG LIST OF DEAD LOVED ONES. 655 00:40:07,364 --> 00:40:08,781 IF YOU HURT CLAIRE... 656 00:40:08,781 --> 00:40:10,700 HURT CLAIRE? 657 00:40:10,700 --> 00:40:12,451 HEH HEH HEH. 658 00:40:12,451 --> 00:40:15,663 HAVE YOU BEEN LISTENING AT ALL, RYAN? 659 00:40:15,663 --> 00:40:17,790 I LOVE CLAIRE. 660 00:40:17,790 --> 00:40:19,458 SHE'S ON HER WAY TO ME NOW. 661 00:40:19,458 --> 00:40:22,003 BY ALL ACCOUNTS, SHE CAME QUITE WILLINGLY. 662 00:40:32,264 --> 00:40:34,015 I'M DONE, JOE. 663 00:40:34,015 --> 00:40:35,267 I QUIT. 664 00:40:35,267 --> 00:40:36,393 OH, COME, COME. 665 00:40:36,393 --> 00:40:37,810 THAT'S NO WAY TO TALK TO THE MAN 666 00:40:37,810 --> 00:40:40,897 WHO SAVED YOUR LIFE. 667 00:40:40,897 --> 00:40:44,276 I'VE ALLOWED YOU A SECOND CHANCE. 668 00:40:44,276 --> 00:40:49,948 DON'T YOU UNDERSTAND ANYTHING YET, RYAN? 669 00:40:49,948 --> 00:40:51,532 NO. THIS IS YOUR STORY, 670 00:40:51,532 --> 00:40:55,078 YOUR--YOUR REBIRTH. 671 00:40:55,078 --> 00:40:56,871 DON'T YOU FEEL IT? 672 00:40:56,871 --> 00:41:01,793 WITH EVERY DEATH, YOU COME JUST THAT LITTLE BIT MORE 673 00:41:01,793 --> 00:41:03,544 BACK TO LIFE. 674 00:41:03,544 --> 00:41:08,466 SO, NO, NO, YOU CAN'T QUIT NOW. 675 00:41:08,466 --> 00:41:11,344 NO. YOU'RE-- YOU'RE NOT QUITE YET 676 00:41:11,344 --> 00:41:13,846 THE MAN YOU NEED TO BE. 677 00:41:17,892 --> 00:41:19,727 YOU GO TO HELL. 678 00:41:35,160 --> 00:41:37,078 DON'T PUSH HER AWAY. 679 00:41:37,078 --> 00:41:39,914 YOU GOT TO STOP WITH THIS DEATH CURSE. 680 00:41:43,793 --> 00:41:46,171 IT'S CRAZY TO THINK THAT WAY. 681 00:41:46,171 --> 00:41:48,631 YOU CAN LET PEOPLE GET CLOSE TO YOU. 682 00:41:48,631 --> 00:41:50,508 I MEAN, LOOK AT US. 683 00:41:50,508 --> 00:41:51,801 I'M PRACTICALLY YOUR WIFE. 684 00:41:51,801 --> 00:41:53,803 YOU HAVEN'T GOTTEN ME KILLED. 685 00:41:53,803 --> 00:41:54,887 WE'VE BEEN TOGETHER OVER 20 YEARS, 686 00:41:54,887 --> 00:41:58,224 I'M STILL STANDING. 687 00:41:58,224 --> 00:42:02,103 NOBODY WANTS TO DIE ALONE. 688 00:42:02,103 --> 00:42:03,355 WE ALL DIE ALONE. 689 00:42:03,355 --> 00:42:06,691 ALL THE MORE REASON NOT TO LIVE THAT WAY. 690 00:42:06,691 --> 00:42:08,234 WELL, HEY. I GOT YOU. 691 00:42:08,234 --> 00:42:09,652 YES, YOU DO. 692 00:42:11,446 --> 00:42:12,822 Molly: ALL RIGHT, LOVE BIRDS. 693 00:42:12,822 --> 00:42:14,115 FOOD'S READY. 694 00:42:38,764 --> 00:42:40,725 JOE? HMM? 695 00:42:47,148 --> 00:42:48,400 MOLLY. 696 00:42:48,400 --> 00:42:51,444 HA HA HA! JOE! 697 00:42:51,444 --> 00:42:52,820 IT'S SO GOOD TO SEE YOU. 698 00:42:52,820 --> 00:42:55,198 HA HA HA! 699 00:42:55,198 --> 00:42:58,659 OH. HA HA HA!